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Lute, Guitar, and Mandolin
Plucked Instruments from the Middle Ages to the Baroque
Igor Davidovics & Árpád Reményi
Admission is free to the entire festival. However, we could not organize the festival without your donations. Donate »
We kindly ask you to arrive on time, as we have a first come, first seated system.
- Igor Davidovics — historical plucked instruments
- Árpád Reményi — historical plucked instruments
- Imre Lachegyi — recorder
- Jacopo da Bologna fl. 1340—1386
- Non al suo amante
- Johannes Ockeghem / Johannes Tinctoris c. 1410 — 1497 / c. 1435—1511
- D’ung autre amer
- Bálint Bakfark 1507—1576
- Fantasia
- Giovanni Antonio Terzi fl. 1580—1600
- Canzona di Claudio da Correggio
- Pietro Paolo Melli 1579 — after 1623
- Capricio detto il Gran Matias (Intavolatura di Liuto Attiorbato. Libro secondo, Venice 1614)
- Giuseppe Vaccari 18th c.
- Concerto á mandolino, é Basso del arcileuto
- Giovanni Battista Granata 1620/1621—1687
- Sonata
- Santiago de Murcia 1673—1739
- Fandango, Cumbées
- Robert de Visée c. 1650—1665 — before 1732
- Suite in d minor
About the performers
Igor Davidovics (photo: Ferenc Kis)
After studying the classical guitar in Budapest, Igor Davidovics dedicated his career to early instruments, such as the lute, baroque guitar and theorbo. He successfully completed his specialisation at the Civica Scuola di Musica in Milan and the Konservatorium der Stadt Wien with professors Paul Beier and Luciano Contini. Since then, he has been performing with major early music orchestras of Eastern Europe, such as the Croatian Baroque Ensemble, the Orfeo Orchestra and Aura Musicale. Together with the soloists Simon Standage, Hervé Niquet and Stefano Montanari, he has performed successful concerts dedicated to early music. Over the years he has made several records under the Hungaroton label.
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